I am a writer and editor based in London. My work has appeared in the Guardian, FT Weekend, Prospect, New Statesman, Times Literary Supplement, Huff Post UK, White Review, LA Review of Books, The Calvert Journal, Coda Story and TANK. I write predominantly about literature, culture and the Caucasus – often all three at once.
My most recent piece discusses the Georgian election by way of Russia, the EU, and Georgia’s multi-generational struggle for autonomy. —>
Criticism
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The Empusium – Olga Tokarczuk’s carnivalesque homage to Thomas Mann
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Georgi Gospodinov review — an anatomy of melancholy
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The Variations by Patrick Langley review – hearing the voices of the dead
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Summer in Baden-Baden — a pilgrim in search of Dostoyevsky’s soul
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Jon Fosse’s A Shining — light in the darkness
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Bolla by Pajtim Statovci review – illicit love in the shadow of war
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Rombo by Esther Kinsky — oral histories of an Italian earthquake
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Where You Come From by Sasa Stanisic – fragmented lives
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The Censor’s Notebook by Liliana Corobca – an intimate exposé of totalitarian Romania
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Kapka Kassabova’s To the Lake: a vivid blend of travelogue, history and memoir
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The Suitcase by Frances Stonor Saunders — baggage reclaim
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Scattered All Over the Earth – what it means to belong
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‘I was frightened every single day’: the perils of guarding Stalin
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Manaschi by Hamid Ismailov – Better a hell you can agree with
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In Maria Reva’s Kafkaesque satire, puzzled occupants discover their Soviet tower block doesn’t exist
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‘No-Signal Area’: a piercing novel on the villains and victims of capitalism
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My Streaming Gem: My Happy Family by Nana Ekvtimishvili
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The Possessed — Witold Gombrowicz’s seriously good comic novel
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OPIA: A night of performances curated by Ólafur Arnalds
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The Stronghold by Dino Buzzati — that unnameable feeling of being alive
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C.D. Rose’s ‘Who’s Who When Everyone Is Someone Else’
Essays
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We Are Not Russian
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A Different Country – on Soviet history and the discovery of a Georgian identity
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Beirut, in Shorthand
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Dubravka Ugrešić: a droll genius with an unwavering devotion to literature
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Swiss Made – searching for Swissness in Lausanne
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‘Our city froze’: rereading Kolau Nadiradze’s 1921 poem on Georgia’s lost independence
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The cult novel that defined Georgian independence 30 years ago
Profiles
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Nino Haratischvili: 'I never understood how Georgians could be proud of Stalin'
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BEN OKRI: “The thing that we're most in danger of losing is the thing we sometimes seem to abound in”
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In conversation with Geoff Dyer
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'Love’s labours should be lost': Maria Stepanova, Russia's next great writer
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JON FOSSE: “Writing is creating a form that is its own universe, rules by its own laws”
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‘I wanted this book to be a reconciliation’: Lea Ypi on growing up in communist Albania
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VALZHYNA MORT: “A singing voice – and a screaming voice – is the furthest we can stand outside of our bodies”
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GEORGE SAUNDERS: “The story is anything that keeps you reading”