I am a writer and editor based in London. My work has appeared in the FT, Guardian, Prospect Magazine, New Statesman, TLS, Spectator, TANK and others. I write predominantly about literature and culture with a focus on the Caucasus and its surrounding regions.




Criticism
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Modern masculinity and the curious paradox at the core of fatherhood
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The Sound of Utopia — how Stalin waged war on musicians
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The Empusium – Olga Tokarczuk’s carnivalesque homage to Thomas Mann
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My Streaming Gem: My Happy Family by Nana Ekvtimishvili
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The Café With No Name by Robert Seethaler — a fable-like story of an ordinary man
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Georgi Gospodinov review — an anatomy of melancholy
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The Variations by Patrick Langley review – hearing the voices of the dead
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Summer in Baden-Baden — a pilgrim in search of Dostoyevsky’s soul
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Jon Fosse’s A Shining — light in the darkness
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Bolla by Pajtim Statovci review – illicit love in the shadow of war
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Rombo by Esther Kinsky — oral histories of an Italian earthquake
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Where You Come From by Sasa Stanisic – fragmented lives
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The Censor’s Notebook by Liliana Corobca – an intimate exposé of totalitarian Romania
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Kapka Kassabova’s To the Lake: a vivid blend of travelogue, history and memoir
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The Suitcase by Frances Stonor Saunders — baggage reclaim
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Scattered All Over the Earth – what it means to belong
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‘I was frightened every single day’: the perils of guarding Stalin
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Manaschi by Hamid Ismailov – Better a hell you can agree with
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In Maria Reva’s Kafkaesque satire, puzzled occupants discover their Soviet tower block doesn’t exist
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‘No-Signal Area’: a piercing novel on the villains and victims of capitalism
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The Possessed — Witold Gombrowicz’s seriously good comic novel
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OPIA: A night of performances curated by Ólafur Arnalds
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The Stronghold by Dino Buzzati — that unnameable feeling of being alive
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C.D. Rose’s ‘Who’s Who When Everyone Is Someone Else’
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Poppyland — DJ Taylor’s wistful short stories of lives lived in the margins
Essays
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We Are Not Russian
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Beirut, in Shorthand
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Dubravka Ugrešić: a droll genius with an unwavering devotion to literature
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The cult novel that defined Georgian independence 30 years ago
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A Different Country – on Soviet history and the discovery of a Georgian identity
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Swiss Made – searching for Swissness in Lausanne
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‘Our city froze’: rereading Kolau Nadiradze’s 1921 poem on Georgia’s lost independence
Interviews
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Nino Haratischvili: 'I never understood how Georgians could be proud of Stalin'
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BEN OKRI: “The thing that we're most in danger of losing is the thing we sometimes seem to abound in”
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In conversation with Geoff Dyer
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'Love’s labours should be lost': Maria Stepanova, Russia's next great writer
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JON FOSSE: “Writing is creating a form that is its own universe, rules by its own laws”
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‘I wanted this book to be a reconciliation’: Lea Ypi on growing up in communist Albania
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VALZHYNA MORT: “A singing voice – and a screaming voice – is the furthest we can stand outside of our bodies”
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GEORGE SAUNDERS: “The story is anything that keeps you reading”